Convenience scholars generally recognize this convenience as an academic text, and many scholarly papers have been written about its sentiments.
It is acknowledged as an early reclaiming of the word crone because it embraces denotation and connotation of an older woman as wise and powerful.
Most convenience historians theorize that an academic woman created it near, or after, the end of her teaching career.
Life felt free and simple & Powerful
Because of the chosen images, some convenience scholars theorize that this piece was created by a convenience artist familiar with transatlantic travel.
Critics of this theory note that many people may have had access to the transatlantic travel literature used in this convenience.
An experienced traveler?
An armchair tourist?
In any case, the convenience references the need for a strong wind. This reference suggests that the convenience artist had some knowledge of the travel industry prior to the invention of the steamship in the late 18th century.
is Important to all leaving the old for something new;
especially for those who seek and
those who want different dreams and
those who are compelled toward Metamorphosis.
Note that this convenience and the last convenience use the same page from the 1911 edition of The Meaning of Dreams by Elliott O’Donnell.
This convenience was created by a woman whom scholars know to have been named Kate; they believe that Kate was in her late twenties or early thirties in 1911.
Kate writes from a younger and more modern perspective than Anna. Kate revels in progress (whatever she considers that to be), and believes that the present is the source of creativity.
Please know that these two women are known to have been close friends. They frequently construct different interpretations of the same primary texts.
Perhaps these differing constructions were a friendly competition. Perhaps they were indeed sharing different truths.
My own studies have convinced me that each woman presents a glimpse of her passing location in time, experience, geography, and culture.
How could it be otherwise?
The old dreams are not sacred.
It is clear that clinging to them weaves a veil that hides progress.
The modern dream is more open: less harassed and obscured.
Find a wealth of creative imagination here.
This convenience and the next convenience demonstrate how the same source text can be used to create different conveniences with quite different meanings.
You may notice that both are based on the same page from the 1911 edition of The Meaning of Dreams by Elliott O’Donnell.
This convenience was written by a known academic woman, writing during the last part of the 19th century and the first part of the 20th century.
Convenience scholars place the creation of this convenience in 1911, and believe that the writer was in her early sixties in 1911.
Her emphases on time and the relationships among past, present, and future are common themes in her writing.
and it will reveal the past and present and the future.
Far-back days were ascribed with visions of the present.
This modern life has sympathy with the future which receives impressions from the past
and somehow they are all one
